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”Key to successSometimes it’s important to disconnect yourself from others and focus on work says the Gangs of Wasseypur director. People started approaching me because I could write fast and deliver quickly with no expectation of remunerations. “It was important for me to disconnect myself from my father to prove to him that my choice to be a filmmaker is the right decision. So, aspiring artists used to wait outside the theatre as in those days we did not have studios. Slowly, the industry started recognising my work and gave credit and money. I started offering my services without any expectation of payment or credit. But they did not know how to generate content on such a large scale. “You cannot stand outside every cinema hall explaining to people the intention behind your movie. I had just signed a deal with Mahesh Bhatt for a TV show called Kabhi Kabhi, which was paying me ` 2. “The greatest of filmmakers have seen failures that have almost finished their careers because you become over-ambitious.”Face the consequencesEvery choice comes with a consequence, so be ready to face it, says the Black Friday director. That was the first battle I had to fight,” shares Anurag. He also reflects on the economics of filmmaking, low-budget films and the lessons learnt from failures. I gave three years of my life to that film. If I were stuck with just the money-making business, I would have been someone who was part of the same system.He started working as a waiter without pay at Prithvi and gradually started writing dialogues for television for free.

Those are the choices one needs to make in life.”Be the change“The kind of cinema I used to see in 1993 was the kind of films I wanted to make.0 in such low budgets. “As a person from a theatre background, the only place I knew was Prithvi and landed there with a bag full of books and clothes. 1993 saw India witnessing a rise in digital television and people were making daily soaps. I took the challenge to disrupt the system, just like Ram Gopal Verma, an outsider whose pure focus was on creating cinema,” says Anurag. On a visit to the capital, director-producer-actor Anurag Kashyap recalls his journey as a filmmaker which began as a waiter.Indians love freebiesIn 1993, when he moved to Mumbai to take up filmmaking as a career, Anurag headed straight for Prithvi Theatres. I put out a tweet; I am ready to face the consequences. That was a hard choice. But that doesn’t stop him from voicing his opinion, without bothering to soften strong words with tact, or caring about the consequences.”The best choicesChoosing Satya, a low budget movie over other lucrative projects offered him was a conscious decision, explains Anurag. You want to make a film; it’s your dream. “As Indians we love anything we get free and that is how I started. Life is a circle - you do well, start getting ambitious, make mistakes, fall and start over again.. But the man who is famous for writing gritty gangster غير مجاز مي باشدas is wary of being emotionally vulnerable, and loves the challenge of thwarting convention. There was a rule that people who are not performing or part of a project were not allowed inside. As few film families ran the industry, they were apprehensive of outsiders. I made a film like Bombay Velvet and faced the consequences. Now, we are back to square one, where we are just sitting and writing scripts and focusing on content.

The only person who knows is you and nobody owes it to you. The first thing I noticed was everything was printed velvet very controlled in Prithvi Theatre.5 lakh per month back then, compared to Ramu who had a total budget of ` 1 lakh for me. He shares, “When Ram Gopal Verma came up with the idea of making a movie like Satya, I was doing very well writing television scripts. I disconnected with him for three years, but in that time he did not stop loving me,” he shares. Last year, we become over-ambitious and made Bombay Velvet and Shandaar. I was part of shows like Shaanti, Swabhimaan and other serials but Trikaal was the first daily-soap in which I was mentioned in the credits. I had just started making money and here was a film that had no certainty. The world doesn't owe it to you; you owe it to yourself. These consequences are related to the choices I make. We made Udta Punjab and Raman Raghav 2.Taking charge and ownership is one of the key aspects for growth, shares Anurag, adding, “Nobody really knows how to make a film or judge a script.Controversy’s favourite child, Anurag Kashyap often finds himself at the center of word fights raging in Bollywood.”Accepting failureNo filmmaker is alien to failures, these are times when one needs to sit back and analyse the mistakes to move forward, explains Anurag. But sometime you need to stand up and voice your opinions. You want to do something, pursue it with conviction. So, you have to pursue it