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“The jacket is an amalgamation of Justin’s personal style, Indian music along with my vision of a cross-cultural fashion statement. The entire outfit will be handcrafted and hand embroidered with sequins and crystals from Swarovski. Sahni says, “In the 1880s, French jewellers called the ruby the gem of gems.From customised Sitar and tabla, an autographed Sarod, to a luxurious biker jacket in cotton velvet with 10,000 crystals from Swarovski… Pop artist Justin Bieber will be receiving a huge luxe basket of souvenirs “With Love From India” as soon as he sets foot in India.. Bahl will decorate both these instruments with wholesale velvet upholstery fabric fine silk, floral artworks, and highlighted metallic works along with delicate beaded tassels for detailing. The beautiful sitar and the tabla reflect the core of Indian traditional music and our dynamic culture. The sparkling red of spring and the balefire of hope represent a life full of passion and love and is defined by supreme craftsmanship and resplendent finesse.

Design by Prasenjit Das Designer Varun Bahl, on the other hand, has personally curated and embellished two traditional Indian musical instruments, the sitar and tabla, as a gesture of intercultural synergy and India’s grand hospitality. “A floor-length jacket in silk chanderi featuring beautiful embroidery inspired by tribal India is a timeless and versatile piece and can be layered in many ways,” she says.” Last but not the least, as a goodwill gesture sarod virtuoso and classical music legend, Ustad Amjad Ali Khan will be gifting an autographed sarod to the Grammy winner. “It’s an homage to the singer’s character and stage persona,” she adds. He states, “Music knows no boundaries. Keeping in sync with Bieber’s universal appeal, Rohit says that ‘black’ is his ideal mood board.Mum’s the wordNoted designer Anamika Khanna is said to be creating a wardrobe for Justin’s mother.”While designer Amit Aggarwal is creating a jacket with khadi with metallic hints with malleable recycled polymer sheet used on the sleeves fusing traditional weaves with industrial waste, noted designer Krishna Mehta has created an Indo-Western formal shirt with modern, geometric lines and metallic threads with an aim to achieve a fierce look, much like the superstar himself, and his work. Adorned in my signature floral motifs and intricate embroidery, these instruments symbolise the inter-culture amalgamation of both the worlds.Design by Dhruv KapoorYoungbloods from the fashion fraternity are also participating in this gesture.” The concept behind the jacket, he says, has been to create a versatile look suitable for an event or a stage performance.

Courtesy Indian designers and celebrities including Varun Bahl, Anamika Khanna, Amit Aggarwal, Riddhima Kapoor Sahni, Rohit Bal, and music legend Ustad Amjad Ali Khan, the luxurious limited edition mementos will comprise several different things including high-end gifts for the singer’s mother. We have drawn inspiration from the ruby’s fiery nature to create a collection that champions passion and success.Design by Anamika Khanna Riddhima Kapoor Sahni will be gifting a bespoke wreath shaped necklace embellished in ornate rubies and marquise diamonds encrusted in platinum and 18k gold to Bieber’s mother. I have tried to inculcate elements from the rich music lineage of our country in the form of beautiful classical string instruments like the sitar, sarangi, and veena.And finely embroidered and handcrafted them using over 10,000 crystals from Swarovski on the luxurious velvet base,” he says, adding, “Blending in with these instruments will be my signature Indian lotus motifs. “The idea is to give her a flavour of our craft, yet not overwhelm her with the silhouette,” she says. Bieber is a youth icon who everyone loves but the pillar of strength in his life has been his mother and it’s a tribute to this brilliant woman. Philosophies say red is the colour of the heart. Designer Prasenjit Das is creating a hand-painted denim jacket with graffiti design work for the artist and Dhruv Kapoor is presenting an oversized hoodie jacket, and designer Ragini Ahuja is creating a bomber jacket in destroyed denim with sheep leather shoulder, collar and pocket flaps and a witty tone graphic tee shirt by Balmedor.Tabla by Varun BahlA biker jacket in cotton velvet is what design guru Rohit Bal has in store for Justin Bieber

Ms Swaraj, incidentally, had a separate bilateral meet on the sidelines with Chinese foreign minister Wang Yi, when issues of “bilateral interest, including on the understanding reached at the Wuhan summit”, were discussed.”.In what is seen as a veiled mesغير مجاز مي باشدe to both Pakistan and China on connectivity, Ms Swaraj said India “welcomes reg-ional connectivity initiatives, that are inclusive, sustainable, transparent and respect the principles of sovereignty and territorial integrity”.Wednesday’s SCO conference was the last major foreign policy engagement of the Narendra Modi government in its current tenure ahead of India’s election results that will be announced on Thursday. There were also reports that the two leaders had exchanged pleasantries.New Delhi/Bishkek (Kyrgyzstan): Speaking in the presence of Pakistan foreign minister Shah Mahmood Qureshi, next to whom she was seated, external affairs minister Sushma Swaraj on Wednesday referred to the Pulwama terror attack on February 14 this year by Pakistan-based terror group Jaish-e-Mohammed as a “raw wound” in her speech at the meeting of foreign ministers of the Shanghai Cooperation Organisation at Bishkek in Kyrgyzstan. This was the first top-level Sino-Indian meeting after China earlier this month lifted its objections to the listing by the UN of JeM chief Masood Azhar as a global terrorist, much to India’s relief.

Swaraj and her Pakistani counterpart sitting on a sofa next to each other and conversing was of the leaders waiting in the “holding room” before the start of the conference.Media reports from Bishkek said there was no separate bilateral meeting between Ms Swaraj and Mr Qureshi. Sources also said that photos being circulated in the media showing Ms Swaraj and Mr Qureshi seated next to each other were of the group of wholesale Upholstery fabric SCO foreign ministers who were to call on the Kyrgyz President and not a photo of the actual CFM conference. Our wounds of Pulwama attack were still raw and the news from the neighbourhood made us more determined to fight firmly, resolutely against this menace.”On efforts to ensure peace in war-torn Afghanistan, Ms Swaraj said: “India stands committed to any process that can help Afghanistan emerge as a united, peaceful, secure, stable, inclusive and economically vibrant nation, with guaranteed gender and human rights. I wish to once again underscore the importance India attaches to the SCO Afghanistan Contact Group and welcome an early conclusion of the draft roadmap of further actions of the Contact Group. Saying India was “determined to fight firmly and resolutely” against the menace of terror, Ms Swaraj said the wounds of Pulwama were still raw as the sad news came in of the Sri Lanka terror attacks.

India and Pakistan had come to the brink of war in late February this year after the Pulwama attack, when India launched airstrikes against a JeM camp, following which Pakistan retaliated resulting in a dogfight between the two Air Forces.Indian government sources late on Wednesday night said Ms Swaraj and Mr Qureshi were not seated next to each other at the SCO meeting and that there was only exchange of pleasantries between the two leaders and no separate bilateral meeting.On terrorism, Ms Swaraj said: “Our heart goes out to our brothers and sisters of Sri Lanka, who have recently witnessed the ghastly act of terrorism.In her address at the SCO session, Ms Swaraj, speaking on connectivity, highlighted the projects supported by India, including the Chabahar port project in ***, which has led to a sea-land link from India to Afghanistan and Central Asia, bypassing Pakistan. Photographs appeared in the Pakistani media showing the two leaders seated next to each other at the SCO meet.Government sources reiterated that only pleasantries were exchanged.Sources also said a picture of Ms. It may be recalled that India had earlier refused to join the Chinese Belt and Road Initiative (BRI) due to concerns over the China-Pakistan Economic Corridor (CPEC) that passes through Pakistan-occupied Kashmir, which India regards as Indian territory illegally occupied by Pakistan

Instead he joins the long chain of humanity as veterans from across the country gather what support they can from friends and neighbours in the form of food or tobacco or encouragement and march towards Washington. Sarita Mandanna’s latest novel, Good Hope Road, is a retrospective novel that examines the fallout of the First World War on the personal and political level by telling the stories of the largely unsung World War One American veterans. In a portrait on a wall, a past Mrs Stonebridge wearing something red and sparkling about her throat In the apples that lay fallen around the oldest tree in the orchard, arcs and moons or red on snow-patch ground. Once again, the debate is reopened on the necessity of ordinary Americans throwing their hats into the ring. Mandanna’s novel feelingly reimagines the active blood and guts version of the war, foregrounding the Yankee James Stonebridge’s and Louisiana native Obadiah Nelson’s narratives as they serve in France in 1914 as part of the French Foreign Legion. It is just as much about family, friendship, fatherhood and love, essential relationships that survived, albeit taking a battering after coming through the war that was supposed to end all wars. The novel describes how America’s experience of the First World War being what it was, soldiers who returned with injuries, disabilities, or PTSD, had to make their way amongst people for whom life had gone on much the same as usual without any great rationing or loss. American volunteers were part of a national debate on whether America needed to involve itself in what appeared to be a Euro-centric war to begin with.”The love story of Jim and Madeline ties up again the way war is not just fought in the battlefields but in the homes and hearths and hearts of the people who live through it.

Karishma Attari is the author of I See You, a horror novel due to be published by Penguin in September.The world never seems to run out of reasons to wage war.The heroic, if grim, British soldiering experience is well documented and even romanticised in literature, films and TV series, yet their allies on the other side of the Atlantic, have not been singled out for such treatment. Jim is a man of few words, an apple farmer, native to his beloved Vermont, and he goes on to fall in love with, woo and marry a “flatlander”, a girl named Madeline Scott who he dismisses initially as “ one of those who come from Boston to holiday in hill country with their rich-boy toys. A third major thread that runs through the novel is the life of Jim Stonebridge, James’ son, who is obviously, if indirectly, affected by his father’s war experiences.” She soon moves into the quiet if tense household composed of James, recovering from his post-traumatic stress disorder (PTSD), the amiable housekeeper, and Jim. It intersperses these battle scenes with the lives of the two volunteers going back and forth in time to show the homes they left behind and the welcome they returned home to. That rich red colour. A massive, black, oval mirror hangs over the mantel and watches over all three of them in a nod to symbolism. Suddenly, it was everywhere. In the roan of a cow, in the threads unravelling from the velvet of his father’s smoking jacket.The political becomes personal soon enough, even before the hint of World War Two. The author infuses irony noting that even as the American President-elect Franklin D.Naturally, once the story enters Depression-era America, the atmosphere is further darkened by the tightening financial climate which puts the screws on both farmer and government, with widespread debt, unemployment and general pessimism. James is no longer content with writing ranting letters to the editor.

The government reneges on the “Bonus Bills” promised as recompense to the war veterans. She is founder of the Shakespeare for Dummies workshops series. Roosevelt promised a “New Deal” to the country, and celebrated his 51st birthday with a grand party, Adolf Hitler was appointed the new Chancellor of Germany on that day. Their right to protest was taken away when the troops were called in and the veterans scattered. The centenary wholesale chinese fabric manufacturer of the First World War hasn’t seen any diminishment in friction, with ideological, ethnic and culture conflicts taking the concept of warfare into new and insidious areas. Mandanna’s hold on lyrical prose brings out the all-encompassing nature of romantic love: “After that morning, he thought of her (hair). For one thing, of course, British GIs went into a war that was already in their backyard and national opinion was firmly behind them. It is well captured in the manner in which Jim struggles with the decision — on one hand he is exempt on account of being an essential farm worker, and because he has a growing family, but on the other hand he has his own views to sort out on where his duty lies.The aptly titled “Death March” took place in 1932, the veterans ending up in “junk-pile veteran camps,” while they waited for the Senate to take action on the Bonus Bill.There is enough indication of America’s aloofness when the story moves forward another few decades and the Second World War looms. The veteran community flares up in protest.The story of Jim’s relationship with his wife is a breath of fresh air that runs through the novel. Without loading on the period details with an eye to voyeuristic indulgence, Mandanna’s book stands for more than just a historical account of American war veterans.

”Key to successSometimes it’s important to disconnect yourself from others and focus on work says the Gangs of Wasseypur director. People started approaching me because I could write fast and deliver quickly with no expectation of remunerations. “It was important for me to disconnect myself from my father to prove to him that my choice to be a filmmaker is the right decision. So, aspiring artists used to wait outside the theatre as in those days we did not have studios. Slowly, the industry started recognising my work and gave credit and money. I started offering my services without any expectation of payment or credit. But they did not know how to generate content on such a large scale. “You cannot stand outside every cinema hall explaining to people the intention behind your movie. I had just signed a deal with Mahesh Bhatt for a TV show called Kabhi Kabhi, which was paying me ` 2. “The greatest of filmmakers have seen failures that have almost finished their careers because you become over-ambitious.”Face the consequencesEvery choice comes with a consequence, so be ready to face it, says the Black Friday director. That was the first battle I had to fight,” shares Anurag. He also reflects on the economics of filmmaking, low-budget films and the lessons learnt from failures. I gave three years of my life to that film. If I were stuck with just the money-making business, I would have been someone who was part of the same system.He started working as a waiter without pay at Prithvi and gradually started writing dialogues for television for free.

Those are the choices one needs to make in life.”Be the change“The kind of cinema I used to see in 1993 was the kind of films I wanted to make.0 in such low budgets. “As a person from a theatre background, the only place I knew was Prithvi and landed there with a bag full of books and clothes. 1993 saw India witnessing a rise in digital television and people were making daily soaps. I took the challenge to disrupt the system, just like Ram Gopal Verma, an outsider whose pure focus was on creating cinema,” says Anurag. On a visit to the capital, director-producer-actor Anurag Kashyap recalls his journey as a filmmaker which began as a waiter.Indians love freebiesIn 1993, when he moved to Mumbai to take up filmmaking as a career, Anurag headed straight for Prithvi Theatres. I put out a tweet; I am ready to face the consequences. That was a hard choice. But that doesn’t stop him from voicing his opinion, without bothering to soften strong words with tact, or caring about the consequences.”The best choicesChoosing Satya, a low budget movie over other lucrative projects offered him was a conscious decision, explains Anurag. You want to make a film; it’s your dream. “As Indians we love anything we get free and that is how I started. Life is a circle - you do well, start getting ambitious, make mistakes, fall and start over again.. But the man who is famous for writing gritty gangster غير مجاز مي باشدas is wary of being emotionally vulnerable, and loves the challenge of thwarting convention. There was a rule that people who are not performing or part of a project were not allowed inside. As few film families ran the industry, they were apprehensive of outsiders. I made a film like Bombay Velvet and faced the consequences. Now, we are back to square one, where we are just sitting and writing scripts and focusing on content.

The only person who knows is you and nobody owes it to you. The first thing I noticed was everything was printed velvet very controlled in Prithvi Theatre.5 lakh per month back then, compared to Ramu who had a total budget of ` 1 lakh for me. He shares, “When Ram Gopal Verma came up with the idea of making a movie like Satya, I was doing very well writing television scripts. I disconnected with him for three years, but in that time he did not stop loving me,” he shares. Last year, we become over-ambitious and made Bombay Velvet and Shandaar. I was part of shows like Shaanti, Swabhimaan and other serials but Trikaal was the first daily-soap in which I was mentioned in the credits. I had just started making money and here was a film that had no certainty. The world doesn't owe it to you; you owe it to yourself. These consequences are related to the choices I make. We made Udta Punjab and Raman Raghav 2.Taking charge and ownership is one of the key aspects for growth, shares Anurag, adding, “Nobody really knows how to make a film or judge a script.Controversy’s favourite child, Anurag Kashyap often finds himself at the center of word fights raging in Bollywood.”Accepting failureNo filmmaker is alien to failures, these are times when one needs to sit back and analyse the mistakes to move forward, explains Anurag. But sometime you need to stand up and voice your opinions. You want to do something, pursue it with conviction. So, you have to pursue it